Underneath his slippered feet, in all-caps block letters: WE CAN’T BE STOPPED. He had tried repeatedly to get her to kill him eventually, during the struggle, he shot himself in the right eye. Just hours before, Bill, whose given name was Richard Stephen Shaw, was having a brutal fight with his girlfriend. He’s on a gurney, being pushed by his remaining group mates in Houston’s seminal rap crew the Geto Boys, Willie D and Scarface. There’s Bill: bloodied and bandaged, stripped down to a hospital gown, phone to his ear and a 5th Ward Posse hat on his head. You’d be forgiven if the first thing that comes to mind is that album cover. Recording Industry Association of America.He’ll be remembered as someone who fought against death the way he fought against his own demons and those of his adopted home. ^ "American album certifications – Geto Boys – Resurrection".^ "Top Billboard 200 Albums – Year-End 1996".^ "Geto Boys Chart History (Top R&B/Hip-Hop Albums)".^ "Geto Boys Chart History ( Billboard 200)".^ Spike CES All Access iJustine Promo.^ "Chris Rock's Top 25 Hip Hop Albums"."Geto Boys: The Resurrection : Music Reviews". "Geto Boys: The Resurrection: Rap-A-Lot/Virgin Records".
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"The Geto Boys, "The Resurrection", Rap-A-Lot". ^ Coker, Cheo Hodari (March 31, 1996).
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"Music Review: 'The Resurrection' Review".
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"Blind Leading the Blind" (featuring Menace Clan)ĭean, Gregory, Johnson, Jordan, Miller, Willie D (Flaj) Derrick Hunter, Gregory Hunter, Richard Buttrill, DeMarcus Porter " The World Is a Ghetto" (featuring Flaj) In 2005, the comedian Chris Rock ranked The Resurrection 15th on his list of the Top-25 Hip-Hop Albums ever. In a positive review, AllMusic's Stephen Thomas Erlewine wrote " The Resurrection outstrips every other Geto Boys record in every sense - it is the leanest, meanest, and funkiest thing they've ever recorded." James Bernard of Entertainment Weekly gave the album a B+, writing "What makes this their best work is the album's festive mood, despite its harsh subject matter." The Resurrection has received positive reviews, with some reviewers calling the album the best album the Geto Boys have ever made.
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